Curating and Museum Practices

Altshuler, Bruce The Avant-Garde in Exhibition: New Art in the 20th Century, Berkeley and Los Angeles: University of California Press, 1994

Barker, Emma, ed.  Contemporary cultures of display, Yale/Open Uni, London, 1999

Bauer Ute Meta, ed., Meta 2 The New Spirit; 1 Curating, Stuttgart. Kunstlerhaus Stuttgart, 1992

Beer, E. d. L., Riet L’Exposition imaginary: The Art of Exhibiting in, SOU Rijksdienst Beeldene Kunst. 1989

Bezzola Tobia and Roman Kurzmeyer, Harald Szeemann: with by through because towards despite – Catalogue of All Exhibitions, 1957-2001, Vienna and New York: Springer Verlag 2007

Billing, J, Lind, M and Nilsson, L, eds. Taking the Matter into Common Hands: On Contemporary Art and Collaborative Practices. London: Black Dog; 2007.

Buck Louisa, Moving Targets A users guide to British Art now Tate Publishing, 1999

Cooke, S. G., Beryl; Martin, Sarah, Curating New Media, Baltic, 2001

Crimp, Douglas On The Museum’s Ruins , Cambridge, Massachusetts: MIT Press, 1993

Derieux, Florence, Harald Szeemann: Individual Methodology. Zurich: JRP|Ringier Kunstverlag AG; 2007.

Diamonstein, B. Inside the Art World: Conversations with Barbarale. NY, Rizzoli. 1994

Dorner, Alexander, The Way Beyond ‘Art’, NY, Wittenborn, Schultz Inc. 1947

Drabble Barnaby and Dorothee Richter, eds Curating Degree Zero, An International Curating Symposium Nuremberg: Vela fur Moderne Kunst, 1999

Elpida Karaba, Feedback #4: Ideas that inform, construct and concern the production of exhibitions and events, 2007

Gillick Liam and Maria Lind. eds. Curating With Light Luggage  Frankfurt am Main: Revolver, 2005

Greenberg Reesa Ferguson, Bruce and Sandy Nairne, eds. Thinking About Exhibitions London and New York: Routledge, 1996

Gupta, Anjali, ed. Death of the Curator, Art Lies, A Contemporary Art Quarterly, 2008; No.59.

Hannula, Mike ed. Stopping the Process, Contemporary Views on Art and Exhibitions Helsinki: NIFCA, 1998

Harding, A Where do we go from here? Matters. 2003

Harding, Anna ed. Art and Design Magazine: On Curating – the Contemporary Art Museum and Beyond, No 52 , London: Academy Editions, 1997

Hickey, Dave Air Guitar, Los Angeles, Art Issues Press 1985

Hiller Susan and Sarah Martin, eds. The Producers; Contemporary Curators

Hoet, J. Museum piece: Jan Hoet on exhibiting art. Artforum. 25:10 1987

Hughes, Lindsay. Do we need new spaces for exhibiting contemporary art? A critique of curatorial practice in relation to the viewer’s engagement with contemporary art, Journal of Visual Art Practice 4:1. 2005

Jacob, M. J Conversations at the Castle, MIT, 1998

Jacob, Mary Jane. The Curator’s Task: Opening up Space and Time, Curator 49 no3 pp.283-6 2006

Lamoureux, J. Exhibitionitis: The Garden as Theatre as Museum. C. Dercon, MIT press 1990

Lash, S. Future of the Kunsthalle? 2003

Marincola Paula ed., Curating Now: Imaginative Practice? Public Responsibility  Philadelphia: Philadelphia Exhibitions Initiative, 2001

Marincola, Paula What Makes a Great Exhibition?

Möntmann, N, ed. Art and Its Institutions, Current conflicts, critique and collaborations, London, Black Dog Publishing; 2006

Morris, Nina J. and Cant, Sarah G. Engaging with place: artists, site-specificity and the Hebden Bridge Sculpture Trail, Social & Cultural Geography, 7:6,  2006 pp.863-888

Morris, S. M., Forbes; Liz Dalton Interpretation. York, information as material. 2002

Muller, Hans-Joachim Harald Szeemann: Exhibition Maker (Ostfildern-Ruit: Hatje Cantz, 2005

Nacking, A. Changing the System, NIFCA. 1999

Nickas, Robert. Theft is Vision, Dijon, Les Presses du Reel. 2008

O’Neill, Paul ,ed, Curating Subjects, Open Editions, London, 2007

Obrist, Hans Ulrich, A Brief History of Curating. Dijon, Les Presses du Reel; 2008.

Obrist, Hans Ulrich, Interviews volume 1, Charta, Milan 2003

O’Doherty, Brian Inside the White Cube: The Ideology of the Gallery Space Berkeley, Los Angeles and London: University of California Press, 1999

Painter, Colin Contemporary art and the home, Berg 2002

Panting, L. Changing Topography. Contemporary Visual Art. Artists run spaces, exhibiting, YBA 1999

Putnam, James, Art and Artifact : the museum as medium, London : Thames & Hudson. 2001

Reesa Greenberg, Thinking about exhibitions, 1996

Reise, B. The tail of two exhibitions: Haacke and Morris. Studio International. 182: 935. 1971

Rogoff, Irit, Terra Infirma, London: Routledge, 2000

Rosier, M. Lookers, buyers, dealers, and makers. Thoughts on. Art after Modernism: rethinking representation. NY, The New Museum of Contemporary Art. 1984

Rugoff, R. On Invisibility in Art. Nothing. G. C. Gussin, Ele. Sunderland, 2001

Rugoff, R. The Rules of the Game. Frieze. 44. 1999

Schade, S. D., Barnaby; Richter, Dorothee  Curating Degree Zero. Nuremberg, Verlag fur Moderne Kunst. 1999

Schubert, Karsten, The curator’s egg : the evolution of the museum concept from the French Revolution to the present day 2001

Siegelaub, S. On exhibitions and the world at large. Studio International. 917. 1969

Staniszewski, Mary Ann The Power of Display: A History of Exhibition Installation at MoMA Cambridge, Massachusetts: MIT Press, 1998

Tannert, Christoph Ute Tischler and Kunstlerhaus Bethanien, eds., MIB – Men in Black box Handbook of Curatorial Practice Frankfurt am Main: Revolver, 2004

Thea Carolee ed. Foci: Interviews with 10 International Curators (New York: Apexart, 2001)

Thea, C. W., Gregory; Schwabsky, Barry Foci: Interviews with 10 International Curators, Distributed Art Publishers. 2001

Thomas, Catherine, ed. The Edge of Everything: Reflections on Curatorial Practice. Banff, Alberta: The Banff Centre Press; 2002.

Townsend, Melanie ed, Beyond the Box: Diverging Curatorial Practices, Banff, Canada: Banff Centre Press, 2003

Wade, Dave Beech and Gavin eds. Curating In the 21st Century Walsall & Wolverhampton: The New Art Gallery Walsall/University of Wolverhampton 2000

Wade, G. Artist + Curator. AN Magazine 2000

Wallach, A. Exhibiting Contradiction: essays on the art museum, Uni of Massachusetts Press, 1998

White Peter, ed., Naming a Practice: Curatorial Strategies for the Future Banff Canada: Banff Centre for the Arts. 1996